Anahid Armenian Goddess of Fertility
Details: Watercolour on paper, 40 x 60 inches
Year: 2024
Fertility is a violent and bloody affair, far from the gentle femininity often ascribed to it. This tension is at the core of Anahid, the first piece in my series reimagining Armenian female goddesses from pre-Christian times. (see more below)






Armenia’s adoption of Christianity in the 4th century led to the destruction of pagan idols and cultural artifacts, erasing centuries of rich heritage. Today, reclaiming this lost history has become an act of identity, and through this series, I revive these goddesses as powerful, defiant figures challenging patriarchal narratives.
In Anahid, the Goddess of Fertility holds a melting sun in her hands, her hair flowing like water to enrich the fertile lands of Ararat—a sacred symbol for Armenians. From her robes, a pomegranate bursts violently, its red seeds symbolizing both creation and the inherent violence of life. This vivid interplay of vitality and destruction captures the complexity of fertility as both a force of life and a source of struggle.
The next piece, Nane, the Goddess of War, will honor the resilience of Armenian women who defended their communities during the genocide. Through fluid, expressive brushstrokes in watercolor, these works bring myth and history to life, celebrating the enduring strength of Armenian women as creators, warriors, and symbols of survival. To learn more about me please see my “about'“ page.